![]() ![]() It’s also even more vital when the world’s coming for us to support and love each other, and to come together in our milestone moments to create a gorgeous kaleidoscope of queer vitalityĪt Comfort & Joy we love creating magical spaces to celebrate each person’s unique light and to offer you cathartic escape and revival, and are incredibly grateful for the privilege of providing our beloved community with a special New Year’s Eve experience. waiting for political fair like a fairy phantasm, poor Tom will wake to. Our community’s faced trials and found triumphs, and whether it’s because you’re thriving or just surviving we all have something that deserves celebration. many existence will be assured, the youngsters we are poor ladies keep. So many jokes can be pulled from this pic this one is especially fine.Comfort & Joy proudly presents New Years Eve AFTERGLOW - the winter sister of our legendary Pride party - back after a decade hiatus to offer you a spectacular, one-of-a-kind extravaganza for celebrating our journey into 2019!.Not film-related, but I absolutely love this. Sadgi is a visual artist who has contributed track art to albums such as coloUrs and mayhem: Universe B, and who has created the track art for songs such as, among other things, Phantasmic Youngsters.SCORE-SETTLING (PART TWO): Shutter Island (2010).THE ASSESSMENT: Brooklyn’s Finest (2010).Thanks to Bob Clark, I’ve played with this seemingly dead thing called my cinema blog.The Search For My Own Private Harry Spencer.the waning of the phantasmic energies of the ''Reagan voracious androgynes 133. “Why was I the only person not laughing?”: The HOT TUB TIME MACHINE Dilemma. It is quite possible that these kids, like Martin with his novelty items.THE ASSESSMENT: ‘The Girl with the Dragon Tattoo’.THE ASSESSMENT/EYES WIDE OPEN: Catherine Breillat’s ‘Bluebeard’.on em: The Rogue Outfit (+ Xaviers School for Gifted Youngsters Back Bling) and. The Unexpected Aftershocks of THE HOUSE WITH THE LAUGHING WINDOWS In the upcoming Shadow of Phantasm Week, the Suppressed Assault Rifle.The acting in Phantasm is much better, fortunately, but that’s enough to lift the flick above Spookies standards. If not the entirety of one-of-the-most-astonishingly-awful-films-ever-made Spookies, than certainly the shitshow’s first 15 minutes, a pointless first act featuring an annoying, poorly-acted kid who runs around an eerie graveyard and bumps into a tall warlock-dude wearing a cheap suit (a la Sir Tall Man). The urge to compare Phantasm to 1986’s Spookies is overpowering. And Phantasm has a formidable, memorable villain in The Tall Man (played by naturally-freaky-looking Angus Scrimm) the problem is, The Tall Man is underused, washed over by strictly-for-the-gore orbs that zoom around and drain blood from foreheads, and black-hooded ghoulies that just jump around and irritate rather than doing anything that’s actually scary. The script is wise enough to tap directly into a common fear of suburban youngsters, and that’s the mysteries and potential terrors that reside in the local cemetery. Points are awarded its way for originality, offering some unique ideas and an off-kilter narrative approach. I’m not going to overtalk my point here, simply because I don’t have much to say about the film, it disinterested me that much. Placed alongside the sequels (which I have seen, ass-backwards enough), though, director Don Coscarelli’s franchise jumpoff is on the same plane as Alien, another ’79 horror favorite. Some genre vets would consider this sentiment to be blasphemy, but fuck it-– Phantasm is a terrible movie. All I know is, while watching Phantasm last night for the first time ever after years of slacking off, only one thought kept reappearing within the head’s chamber: People actually consider this a “great” horror film? Maybe the Special Edition DVD is different than the original film that was released back in 1979. ![]()
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